Music
This category focuses on fresh music updates from different musicians all across the world.
Astral Rocks: “Budapest, I’m Finally Home”
“Budapest, I’m Finally Home” is the latest evocative release from Astral Rocks. This cinematic rock ballad explores themes of longing, distance, and deep...
Discover Kingsman: Zion in His Hand (Live Special Version)
Kingsman, the rising reggae artist blending authentic roots with modern spirit, presents a powerful new recording: “Zion in His Hand – Live Special...
STONK by tylerdurdan*: Rap as Resistance
STONK, the latest release from Italian rapper, photographer, and AI artist tylerdurdan*, is not just music—it’s activism. Created in direct collaboration with Dr....
Grace In Motion Releases Highly Anticipated Country/Gospel Album “Saving Grace”
The wait is over! Country/gospel band Grace In Motion proudly announces the release of their latest album, Saving Grace. This soul-stirring collection, spearheaded...
NesseCity Unveils All Your Scars
NesseCity has released “All Your Scars”, the fourth track from their EP Little Wonders. This song carries a powerful and emotional message. It...
Lweez Heats Things Up with Caliente
Lweez returns with “Caliente”, a trap-pop track that blends rap, urban pop, and Latin influences. The result is a hot and sensual sound,...
Song Review: The Alchemist by Hallucinophonics
Hallucinophonics’ new track “The Alchemist” is their boldest work yet. It feels less like just a song and more like a journey. The...
Review of Krokodil Tränen by Raubtier Kollektiv
Krokodil Tränen is a sharp and fearless critique of today’s rap scene. Over a dark, heavy beat, Raubtier Kollektiv takes aim at rappers...
Sybe Presents New Single “Que Pasa”
Sybe, the Afro-American artist based in the suburbs of Paris, continues to impress with his latest single “Que Pasa.” At only 26 years...
Review of Tiger Streifen by Raubtier Kollektiv
“Tiger Streifen” is a hard-hitting track that shows the tough reality of life on the streets. Raubtier Kollektiv turns scars into symbols of...
